12/7/2018 0 Comments FRESH FRIDAY | THE NEW ROCOCORococo appeared in Paris, during the reign of Louis VX in the18th century. The unique style was characterized by its ornate and decorative quality, curving and complex designs, and fixation on modeling natural elements. Seen in architecture, sculpture, painting, and interiors, rococo was meant to produce awe and impress at first sight. Mediums frequently used were various colored, rare woods, porcelain, and gilded bronze. With a distinct digression from previous styles, Rococo artisans created objects and spaces with the wild elements of nature in mind. Frequently, there were brighter colors, greater detailing, and boastful displays of wealth. Rococo was an expression of the flamboyancy and playfulness that was prominent during Louis XV's reign, and equally the grandeur that was so infamously associated with his decline and the rise of the Enlightenment.
The Morsbroich Castle was built during the height of the period's popularity and is currently home to the Morsbroich Castle Municipal Museum that features international modern and contemporary art including their newest exhibition, The Flexible Plan. This group show examines the survival of Rococo through contemporary art. The title refers to Rococo's break from the consistency of the Baroque, a previous, predominant art style. As the castle itself is a pinnacle example of the Rococo style, it provides a rich backdrop for the selection of works. Through painting and sculpture, these artists have explored the core fundamentals of the movement and have produced work that mirrors the vibrant and decorative elements of the original style. Rococo remains a staple style for tourist visits throughout Europe, specifically in France at Versailles and the Louvre, however contemporary examples of the ornamental designs are more rarely seen. With a rich, historical context and an outstanding backdrop, The Flexible Plan offers a comprehensive experience that beautifully intertwines the old and the new.
0 Comments
Leave a Reply. |